{"id":383,"date":"2025-05-12T08:07:29","date_gmt":"2025-05-12T08:07:29","guid":{"rendered":"https:\/\/performinghistory.com\/federal-theatre-project\/?page_id=383"},"modified":"2025-05-22T20:16:54","modified_gmt":"2025-05-22T20:16:54","slug":"elmer-rice","status":"publish","type":"page","link":"https:\/\/performinghistory.com\/federal-theatre-project\/elmer-rice\/","title":{"rendered":"Elmer Rice"},"content":{"rendered":"\n\n\n<p>Lorem Ipsum has been the industry&#8217;s standard dummy text ever since the 1500s.<\/p>\n<p>Lorem Ipsum has been the industry&#8217;s standard dummy text ever since the 1500s.<\/p>\n\n\n<span style=\"color: rgb(0, 0, 0); background-color: rgb(0, 0, 0);\"><p class=\"p1\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: small; line-height: normal; font-family: Helvetica; max-width: none; color: rgb(20, 20, 19);\"><b>THE FEDERAL THEATRE PROJECT<br><span style=\"font-size:medium;\"><b style=\"color: rgb(82, 101, 168);\">ELMER RICE<\/b><\/span><\/b><\/p><\/span>\n<span style=\"color:#000000;\"><p>Elmer Rice&nbsp;<\/p><p>1892 -1967&nbsp;<\/p><p>Playwright<\/p><\/span><p><\/p>\n<span style=\"color:#000000;\"><p>Written and Performed by: Xephyr Adams<\/p><p>Setting: New York, NY, 1936<\/p><\/span><p><\/p>\n<span style=\"color:#000000;\"><p>Elmer speaks to friend and former affair partner Dorothy Parker in a small caf\u00e9 about his experience with the Federal Theatre Project, namely, why he felt that the FTP was holding him back from his true passions in writing.<\/p><div><\/div><\/span><div><br><\/div>\n{&#8220;title&#8221;:&#8221;&#8221;,&#8221;content&#8221;:&#8221;<iframe width=\\\"100%\\\" height=\\\"300\\\" scrolling=\\\"no\\\" frameborder=\\\"no\\\" allow=\\\"autoplay\\\" src=\\\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2087421753%3Fsecret_token%3Ds-Q1ogw1Jpq9p&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true&#038;visual=true\\\"><\/iframe><div style=\\\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\\\"><a href=\\\"https:\/\/soundcloud.com\/user-17135768\\\" title=\\\"Performing History\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">Performing History<\/a> \u00b7 <a href=\\\"https:\/\/soundcloud.com\/user-17135768\/elmer-rice-monologue\/s-Q1ogw1Jpq9p\\\" title=\\\"Elmer Rice Monologue\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">Elmer Rice Monologue<\/a><\/div>&#8220;}\n\n\n\n\n<span style=\"color:#888888;\"><p>In concept, the Living newspaper division is the most beautiful idea our government has had. Not only did it aim to educate the public in current events, but it also employed thousands of artists across the country to accomplish its goals. So many people looking to inform their fellow working-class citizens is something that should truly be celebrated. It was also the best opportunity I have possibly ever had to spread anti-fascist and pro-proletarian ideals. Unfortunately, government would not stand for this. Writers, including myself, faced pushback on every one of our plays that taught about&nbsp; workers\u2019 rights and how to avoid exploitation. At a certain point, my remaining within the Federal Theatre Project was a statement of my being complicit in it. I had to leave so that other artists would see that there are other avenues through which we can achieve our goals. We do not need the government\u2019s money to realize our visions. As artists, we have always found a way to accomplish our goals on our own merits. That is what should be truly celebrated.<\/p><div><\/div><\/span><div><br><\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<p style=\"text-align: center;\">\n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/perry-bruskin\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Perry Bruskin\n<\/a>&nbsp;<span style=\"text-align: center; color: rgb(0, 0, 0);\">\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/martin-dies\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Martin Dies\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/hallie-flanagan-1935\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Hallie Flanagan (1935)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/hallie-flanagan-1939\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Hallie Flanagan (1939)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/rosamond-gilder\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Rosamond Gilder\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/susan-glaspell\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Susan Glaspell\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/hazel-huffman\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Hazel Huffman\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/frida-kahlo\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Frida Kahlo\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/mary-merrill\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Mary Merrill\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/virginia-nicholson\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Virginia Nicholson\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/elmer-rice\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Elmer Rice\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/eleanor-roosevelt-1935\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Eleanor Roosevelt (1935)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/eleanor-roosevelt-1939\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Eleanor Roosevelt (1939)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/franklin-delano-roosevelt\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Franklin Delano Roosevelt\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/olive-stanton\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Olive Stanton\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/helen-tamiris\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Helen Tamiris\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/orson-welles\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Orson Welles\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/artwork\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Artwork\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/collaborators\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Collaborators\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/directors-note\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Directors\u2019 Note\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/front-page-tableau\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Front Page Tableau\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/music\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Music\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/pen-pals\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Pen Pals\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/research-source-material\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Research\/Source Material\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/share-your-thoughts\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Share Your Thoughts\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/special-thanks\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Special Thanks\n    <\/a>\n  <\/p>\n\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"class_list":["post-383","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages\/383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/comments?post=383"}],"version-history":[{"count":8,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages\/383\/revisions"}],"predecessor-version":[{"id":690,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages\/383\/revisions\/690"}],"wp:attachment":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/media?parent=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}