{"id":406,"date":"2025-05-12T08:10:27","date_gmt":"2025-05-12T08:10:27","guid":{"rendered":"https:\/\/performinghistory.com\/federal-theatre-project\/?page_id=406"},"modified":"2025-05-22T12:44:02","modified_gmt":"2025-05-22T12:44:02","slug":"helen-tamiris","status":"publish","type":"page","link":"https:\/\/performinghistory.com\/federal-theatre-project\/helen-tamiris\/","title":{"rendered":"Helen Tamiris"},"content":{"rendered":"\n\n\n<p>Lorem Ipsum has been the industry&#8217;s standard dummy text ever since the 1500s.<\/p>\n<p>Lorem Ipsum has been the industry&#8217;s standard dummy text ever since the 1500s.<\/p>\n\n\n<span style=\"color: rgb(0, 0, 0); background-color: rgb(0, 0, 0);\"><p class=\"p1\" style=\"font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: 18px; line-height: normal; font-family: Helvetica; max-width: none; color: rgb(20, 20, 19);\"><span style=\"font-family: Raleway, &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif; font-size: 14px; color: rgb(0, 0, 0);\"><strong>THE FEDERAL THEATRE PROJECT<\/strong><br><\/span><font color=\"#141413\" face=\"Helvetica\" size=\"2\"><strong style=\"color: rgb(82, 101, 168); text-transform: uppercase; font-size: large;\">HELEN TAMIRIS<\/strong><\/font><\/p><\/span>\n<span style=\"color:#000000;\"><p>Helen Tamiris&nbsp;<\/p><p>1902- 1966<\/p><p>Choreographer<\/p><\/span><p><\/p>\n<p style=\"color: rgb(0, 0, 0);\">Written and Performed by:&nbsp; Katie Beazley<\/p>\n<p style=\"color: rgb(0, 0, 0);\">Setting: New York City, New York, 1937<\/p>\n<p style=\"color: rgb(0, 0, 0);\">It\u2019s the evening of June 10th \u2013 nearly June 11th, now. Helen Tamiris shares a drink and frustrations with her friend and fellow dancer Pauline Tish. Tamiris has heard rumblings of big changes happening to the Federal Dance Project, partially because of an all-night strike following the May 17th performance of <em>How Long, Brethren?<\/em><\/p>\n{&#8220;title&#8221;:&#8221;&#8221;,&#8221;content&#8221;:&#8221;<iframe width=\\\"100%\\\" height=\\\"300\\\" scrolling=\\\"no\\\" frameborder=\\\"no\\\" allow=\\\"autoplay\\\" src=\\\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2077198200%3Fsecret_token%3Ds-gc4rDa8HV4N&#038;color=%2300aabb&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true&#038;visual=true\\\"><\/iframe><div style=\\\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\\\"><a href=\\\"https:\/\/soundcloud.com\/user-17135768\\\" title=\\\"Performing History\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">Performing History<\/a> \u00b7 <a href=\\\"https:\/\/soundcloud.com\/user-17135768\/helen-tamiris-final\/s-gc4rDa8HV4N\\\" title=\\\"Helen Tamiris Monologue\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">Helen Tamiris Monologue<\/a><\/div>&#8220;}\n\n\n\n\n<span style=\"color:#888888;\"><p>Thank you again for coming over, Paulie.&nbsp;<\/p><p><br><\/p><p>I\u2019m just so\u2026 gobsmacked by what\u2019s happening. I need a friend. And a drink.&nbsp;<\/p><p><br><\/p><p>&nbsp;(pouring)<\/p><p><br><\/p><p>Help me process this: How can I win best group choreography for a show that\u2019s a part of the project, and the project get shut down? (drink) Does the project have to dissolve? New York City is for this; LaGuardia himself is for this. Why can\u2019t Washington see that?&nbsp;&nbsp;<\/p><p><br><\/p><p>(drinking)<\/p><p><br><\/p><p>I just find it ridiculous and unfair. I mean, a sold-out audience willingly stays for a sit in following a show, and it still isn\u2019t enough. Worse than that &#8211; folks are getting punished for asking for more, for trying to make a difference. (drink) Hell, you expect a slew of dancers not to be invested in action, (cup down) in a movement-based movement?&nbsp;<\/p><p><br><\/p><p>There isn\u2019t there even an ounce of red in what we\u2019re doing \u2013 OK, maybe in the lighting. But this isn\u2019t about the \u201cproletariat\u201d. (drink) This is about the individual\u2019s role and how the autonomy of self-interacts with the collective. My main job as choreographer, as leader of this group, is to provide conditions under which the group can recognize its creative strength. I\u2019m here to be a part of this, but I\u2019m here for you \u2013 for them &#8211; for the welfare of dancers, for the ability to focus on creating rather than surviving. I come forward as our collective leader.&nbsp;<\/p><p><br><\/p><p>What is she doing as our collective leader?&nbsp; (drink) No, no, I\u2019m serious. To what end is Flanagan fighting for these conditions for all of us &#8211; not just the easy parts of the project. It\u2019s not just dance I see being dismissed. What about the Negro Theater Project? Are we both children she\u2019s ready to just lose because it makes it easier, less complicated?&nbsp;<\/p><p><br><\/p><p>What a privilege she has \u2013 to be the mother of this great big network of artists. I feel like a mother whose child was taken away. I\u2019ve carried the Federal Dance Project since its conception yet never have had the privilege to hold it in my hands, to actually call it mine.&nbsp;<\/p><p><br><\/p><p>(drink) I\u2019m not a mother but I can\u2019t imagine giving up something as precious as this.<\/p><p>(drink)<\/p><p><br><\/p><p>Well, we aren\u2019t going to give up. We\u2019re going to keep going, keep doing, keep trying. She can decide whether to listen or watch or not. (cheers glasses)<\/p><div><\/div><\/span><div><br><\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n<p style=\"text-align: center;\">\n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/perry-bruskin\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Perry Bruskin\n<\/a>&nbsp;<span style=\"text-align: center; color: rgb(0, 0, 0);\">\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/martin-dies\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Martin Dies\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/hallie-flanagan-1935\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Hallie Flanagan (1935)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/hallie-flanagan-1939\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Hallie Flanagan (1939)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/rosamond-gilder\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Rosamond Gilder\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/susan-glaspell\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Susan Glaspell\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/hazel-huffman\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Hazel Huffman\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/frida-kahlo\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Frida Kahlo\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/mary-merrill\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Mary Merrill\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/virginia-nicholson\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Virginia Nicholson\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/elmer-rice\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Elmer Rice\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/eleanor-roosevelt-1935\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Eleanor Roosevelt (1935)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/eleanor-roosevelt-1939\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Eleanor Roosevelt (1939)\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/franklin-delano-roosevelt\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Franklin Delano Roosevelt\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/olive-stanton\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Olive Stanton\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/helen-tamiris\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Helen Tamiris\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/orson-welles\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Orson Welles\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/artwork\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Artwork\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/collaborators\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Collaborators\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/directors-note\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Directors\u2019 Note\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/front-page-tableau\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Front Page Tableau\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/music\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Music\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/pen-pals\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Pen Pals\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/research-source-material\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Research\/Source Material\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/share-your-thoughts\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Share Your Thoughts\n    <\/a>\n    <span style=\"text-align: center; color: rgb(0, 0, 0);\">&nbsp;\u2022&nbsp;<\/span>\n  \n    <a href=\"https:\/\/performinghistory.com\/federal-theatre-project\/special-thanks\/\" style=\"background-color: rgb(242, 243, 237); text-align: center;\">\n      Special Thanks\n    <\/a>\n  <\/p>\n\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","footnotes":""},"class_list":["post-406","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages\/406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":8,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages\/406\/revisions"}],"predecessor-version":[{"id":651,"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/pages\/406\/revisions\/651"}],"wp:attachment":[{"href":"https:\/\/performinghistory.com\/federal-theatre-project\/wp-json\/wp\/v2\/media?parent=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}